What is the dress code? Who gets to go? How much does it cost? Source: New York Times
Posts published in “Miranda, Lin-Manuel”
Broadway Is Canceling Shows Due to Positive Covid Tests
Broadway, where cancellations were once vanishingly rare, has seen a raft of them as positive coronavirus tests among cast and crew members have upended productions. Source: New York Times
How ‘Hamilton’ Got $30 Million in Federal Aid
The megahit had five separate productions around the nation, and with each applying for $10 million in pandemic relief to help get back onstage, the tally could reach $50 million. Source: New York Times
They Fought to Make ‘In the Heights’ Both Dreamlike and Authentic
The creative team of Lin-Manuel Miranda, Quiara Alegría Hudes and Jon M. Chu explain what it took to create a euphoric spectacle that stayed true to its cultural roots. Source: New York Times
‘In the Heights’ Premiere Celebrates the Neighborhood That Started It All
As throngs of residents watched, the stars of the movie, set in Washington Heights, walked a sunny yellow carpet outside the United Palace. Source: New York Times
How Lin-Manuel Miranda and Friends Made an Old Bookstore New
The century-old Drama Book Shop in Manhattan struggled for years. Then “Hamilton” happened. Source: New York Times
Times Event: Summer With Lin-Manuel Miranda and Shakespeare
As the theater world begins to rebuild after a long shutdown, we explore early signs of New York City’s renewed cultural life in the latest episode of “Offstage.” Source: New York Times
Trying to Reach Unvaccinated New Yorkers
The city’s public health officials are urging community groups to start knocking on doors to reach people who might be hesitant. Source: New York Times
Drama Book Shop, Backed by Lin-Manuel Miranda, to Open in June
The quirky bookstore, which sells scripts and other theater-related work, was acquired by a team of “Hamilton” alumni after years of struggle. Source: New York Times
Theater Artists Decry Racism in Their Industry
More than 300 signed a letter saying theater was a “house of cards built on white fragility and supremacy.” Source: New York Times